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        <title>Songs Worth Listening To - Martin Swinger - Blog</title>
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        <description>Martin Swinger: Blog</description>
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            <title>M O O N on the horizon!</title>
            <link>http://martinswinger.com/blog.html/m_o_o_n_on_the_horizon</link>
            <description><![CDATA[<p>After some years of setback (PESKY Economy!) I am finally moving forward again on my upcoming CD, M O O N. I am recording with Ed Desjardins and Jud Caswell and have to say I am very excited about the results we are getting in the studio!&nbsp;</p><br /><p>I'm recording songs JUST RECENTLY FINISHED &nbsp;(Consider the Oyster! - the gruesome truth about our favorite bi-valve, &nbsp;Stay With Me - a love song to the Sun, Wooden Boy - portrait of a young man with autism, &nbsp;Gravity - &nbsp;exploring the outer limits of remorse) &nbsp;and several songs around for a while (Little Plastic Part, Betty Boop and Buddha) plus a few lost gems from my former lives (Home to You - journey to self - more to come!!&nbsp;</p>]]></description>
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            <pubDate>Sun, 07 Nov 2010 10:48:52 -0800</pubDate>
            <source url="http://martinswinger.com/blog.html">Songs Worth Listening To - Martin Swinger - Blog</source>
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            <title>Kapo and the Voice</title>
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            <description><![CDATA[I got some interesting feedback months ago while working with vocal coach and improvisation teacher, Rhiannon, who suggested I was not exploring the vulnerable side of my voice. For a time I thought that simply meant I was singing too loud all the time (Guilty, as charged!) and my excuse was that I do a lot of un-miked performances and my voice needs to carry and be strong to be heard. Who doesn't like to belt it out once in a while?   I have spent my life training my 'theatre' voice to project across the room (or campfire!) All good, but perhaps "too much of a good thing..."   Also, I'll admit a personal bias against performers who sing so quietly they are impossible to hear - are they trying to manipulate me to focus impossibly hard on their song, or have they simply not learned to support their voice - the #1 tool of a singer?<br /><br />     Recently I was loaned a small mixer board (THANKS, ED!) which has many sound effects. I noticed using the effects on guitar and voice drastically changed how I played and sang. Effects amplified  the subtleties of my voice and suddenly, whispering a song became possible and in some cases, a better interpretation of the song - mostly on intimate songs. <br /><br />     Further, on a self-dare, I slapped the kapo Waaaaayyyyyyy up the neck to explore what might happen. What happened was I found myself in a place where my voice was NOT the theatre voice at all, but a more vulnerable sound - literally forcing my voice into sounding more emotionally engaged and believable. I was forced to sing some parts of the song in a lower register, sounding more like a personal conversation rather than a public broadcast, and other parts forced into my upper register bringing more emotional content to the sweeter tenor register. <br /><br />     In a couple cases I now am re-learning the song in a new arrangement which brings it more to life, makes the message that much more powerful, and actually showcases a broader range of vocal expression.   <br /><br />    I'm finally discovering the power of vulnerability.  Lean closer, let me whisper in your ear...]]></description>
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            <pubDate>Sat, 16 Jan 2010 10:38:04 -0800</pubDate>
            <source url="http://martinswinger.com/blog.html">Songs Worth Listening To - Martin Swinger - Blog</source>
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